MICHAEL UNG (The Sarge)

Maya flips a loop and gets taken down for an uncleared sample. The crew clears it right: two copyrights, interpolation.
An indie filmmaker has 48 hours to find a trailer song. The crew cuts the red tape: how sync licensing works.
A bedroom producer's music lives only on her laptop. The crew kicks open the gates: distributors, UPCs, release dates.
A touring band with no manager and no money learns the most overlooked bag in music: performance royalties.
How THE SARGE assembled his crew to battle the villains terrorizing working artists. The free issue that starts it all.